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“Off the Beaten Path”

Off the Beaten Path

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The American tattoo is raw power, chicken today/ feathers tomorrow, stab it and steer gusto and imagery. The tattoo is stand alone upon the skin- readable like a bumper sticker that proudly proclaims. The usual suspects are the eagle chest tattoo, the rose forearm tattoo, the clipper ship backpiece tattoo. These pictures are clear at a glance. Veracity and tenacity jump right out of the skin into your eyes.

The japanese tattoo is an integrated whole. It is seamless and flows like a great river of ink. Right and left sides are computed simultaneously. There is more patience shown, the old bull saying “let’s walk down and have them all”. The eye is to the overall. The complete body is considered, mastered.

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Many tattoo roads lead to the japanese tattoo. The more a customer gets tattooed, the further they move towards tattoo sleeves, torso tattooing, and full bodysuit tattoos. The spaces between the tattoos get filled in, disparate tattoos are connected by a flowing background. This connected tattoo is the japanese invention. The tattooist too, as he gains experience and skill, begins to look toward bigger work almost invariably. The dreams of creating large-scale work become a distinct possibility as his speed and dexterity increase.

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The traditional American tattooed response to “how many tattoos do you have?” Is “One. One big one.” This means that he has taken all of his American traditional swallow tattoos and hearts and banner tattoos and pin up girl tattoos and dagger tattoos and merged them all with a connective background of clouds and shading— borrowing from the japanese tattoo the extensive background in use therein.

And so emerge one tattoo style out of two traditions. And that is one way to practice tattooing- to take both of its strongest traditions, which produce the most successful work, the American and the japanese traditional tattoo, and to combine them to produce a hybrid style.

However, it may be more correct to remain more staunchly traditional in each form. In this endeavor, traditional American tattooing should be kept free of any outside contaminants. Similarly, the japanese traditional tattoo should suffer no invasion either. In this way, pure traditional American tattooing can be practiced. And authentic traditional japanese tattooing may be preserved.

The artist looks long and deep into what he is expressing with his art, his craftsmanship. Although I enjoy both American and japanese styles, I think that my strength lies in pursuing the large scale work of the japanese traditional tattoo, but doing so with the heart and soul of a pure American.

I believe that myself and a few others of a similar ilk are following the path to tattoo perfection laid down by past American tattoo masters such as Sailor Jerry Collins, Don Ed Hardy, Bob Roberts, and Richard Stell- total Americans seizing on the power of the japanese tattoo for our own purposes and our own glory, who in doing so, created a new frontier of American traditional tattooing – the Japanese style tattoo.

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